I’ve read a lot of opinions about how musicians need to keep reinventing themselves and not stick to a formula. There are quite a few bands who’ve managed to do it. Metallica, from the Speed/Thrash metal Kill ‘Em All era to the simpler, more hard-rock sound of Load/ReLoad, the tin can drums of St. Anger and then “back to the basics” with Death Magnetic. I love their musical journey—I’ve enjoyed every Metallica album, more or less. Linkin Park is another band that’s not followed a pattern. After the abysmally disappointing Meteora, I think they’ve grown musically with Minutes to Midnight and A Thousand Suns. And of course, while I haven’t really followed their journey entire, Radiohead and Led Zeppelin are the best examples of bands that have changed their sound and grown creatively with every new album.
And then there are bands whose music I love just the way it is, and I wish they don’t change. For me, Incubus’ golden period was during the albums Make Yourself, Morning View and A Crow Left of the Murder. And now, after Light Grenades, I’ve got my hands on their latest album—If Not Now, When?

Album Cover: Incubus - If Not Now, When?
I wanted to write a scathing review of this album. It’s everything Incubus were not meant to be. They’ve progressed from an awesome rock band into a bunch of guys who get together in someone’s house and make up tunes. The album is full of soft rock songs, perfect for background music while you do something else. Don’t get me wrong. The title track kind of sets the tone. It’s a slow, dull, monotonous chug-along song. Jose Pasillas’ drumming is more or less single-beat, Boyd’s vocals are uninspired (whatever that word means). The next few songs just come and go without your realising that there’s something going on here. The first song that piqued my interest and kept me hooked was the 7-minute long “In the Company of Wolves”, when finally every member of the band puts effort in to do something special, to earn the millions of dollars they will get from the sales of this CD. The second half of the album is definitely better, there’s a lot more going on.
But the reason why this isn’t a scathing review is because I’m going to give credit where it’s due. I do miss the hard rock, energetic music of ye olde Incubus (maybe that’s why I’m bitter?). But Mike Einziger is fantastic throughout this album, even in the simple riffs he executes so brilliantly. Ben Kenney, stepping into the big shoes left behind by Dirk Lance, once again is outstanding (he was brilliant in ACLOTM and Light Grenades too). The bottom line is this: Incubus have changed. They’re no longer punks or hardass rockers. They’re much softer, simpler, catchier, more pop. It’s ok, because it’s soft music with a little bit of depth if you listen for the sound of the guitars.
8 Comments »